Default is a tense financial thriller worth checking out.
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Set during the 1997 Asian Financial Crisis, Default, directed by Choi Kook-hee, feels familiar and fresh at the same time. It feels like some of the movies we’ve seen before on financial crises, namely, The Big Short. But set in a distinctly Asian context, and given that so few of such films have been made in Korea, if not Asia, Default does not feel rehashed; instead, it feels like a new step in Korean genre cinema.
Like The Big Short, Default tells a triptych of three stories, a big and small picture attempt to illustrate the terrible causes and terrifying effects of the financial crises. The main narrative follows Bank of Korea’s chief financial analyst Han Shi-hyeon (Kim Hye-soo), whose long-time predictions that the country will go bankrupt due to depleting foreign reserves and accumulating debts, as she tries to stave off the worst from happening - the country’s economy being taken over by the International Monetary Fund and the big Korean conglomerates.
The second story follows Yun Jeong-hak (Yoo Ah-in), a young investment banker who, upon realising that Korea would go bankrupt, quits his job to start his own fund management to take advantage of the impending crisis to make a windfall and change his life.
The third story goes micro and focuses on the negative effects that financial crises have on the everyman. Gab-su (Heo Joon-ho) is a middle-class business owner of a small tableware factory, who struggles with payment after his deal with a large department store falls through and the promissory note issued by the department store becomes void. This drives him to consider suicide, a fate, as shown in the film, that many male Korean breadwinners turn to as the economy tanks.
Default’s competent screenplay deftly handles the three concurrent stories, allowing audiences to grasp the macro-economics without being too didactic and also to understand that economic policies, which come hand in hand with politics, have real-world consequences that the powers-that-be are so cavalier about. It’s a big risk that the film’s producers have taken in making a film about what seems at first to be about arcane financial gobbledygook, but the film succeeds in being accessible while not dumbing things down.
Default is a tense financial thriller worth checking out.
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