Audiences expect certain ingredients of a Halloween movie, so we’ve tried to provide that. Sometimes, we have leaned into the trope or the cliches of the mythology, and other times we have put a spin on it.
The three of us compose, perform, and record allthe music, and everything is mixed by Daniel together with John Spiker. The unmistakable mix of software synths, vintage analogue equipmentand live instrumentation provide the signature sound of a Halloween film. However, because Halloween Ends is unlike any chapter that has come before, the soundtrack for this film is expanded to match heightened stakesof this climax to the trilogy. The main themes have all been passed down from the original Halloween. We have refined them and created new themes for new characters.