tick, tick... BOOM! is a corner of the world I know from every angle. I know what it’s like to be a struggling songwriter. I know what it is to be in your 20s writing that one musical, what it’s like to be in New York with a bunch of friends with artistic dreams and then watch them drop off one by one, to real life, while you’re still hanging on. It’s a story of doubling down on your craft in the face of impossible odds, which is not unique to musical theater — it’s the struggle of any artist trying to make a living doing the thing they love.
I have been blown away by Andrew since I saw him in Mike Nichols’ Death of a Salesman on Broadway, and I was convinced that he was my Jonathan after seeing his incredible performance in Angels in America.
My relationship with musical theater, it just accelerated because of Lin and this film. It was a remarkable beginning to a thing that I never imagined would become such an important part of my own heart at this point. Not having any prior relationship with Jonathan Larson apart from knowing about Rent and knowing some of the songs, to just having him in my system, haunting me in the best possible way — he’s a talisman for me now, in terms of how to live life as an artist.
Our source material was the original cast recording from the Off-Broadway production, as well as just mountains of Jonathan Larson demos and video footage, original sheet music, handwritten, all his materials from the archive.